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[to notebook] apple tv 1440p USA The Photograph 165

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106 Minutes / Stella Meghie / / Issa Rae, LaKeith Stanfield / Year=2020. [to notebook] apple tv 1440p USA A fotografia ślubna. To notebook apple tv 1440p usa a fotografia 3. 5bto notebook 5d apple tv 1440p usa a fotografia remix. In The Photograph by Ruskin Bond we have the theme of memories, identity, change, equality, acceptance, independence and freedom. Taken from his Collected Short Stories collection the story is narrated in the first person by a man looking back on an incident when he was ten years old and after reading the story the reader realises that Bond may be exploring the theme of memories. The narrator as he is listening to his grandmother talking about the picture hears her tell of the day the picture was taken and the activities of the young girl in the picture (who is the grandmother as a child. This may be important as Bond may be linking the activities of the grandmother as an old woman and a child. Suggesting perhaps that as life has passed things have gotten slower for the grandmother. Her rebellious or independent streak may have left her with the passing of time. Though she does recall with happiness how she felt as a young girl. Perhaps the grandmother misses her youth and the freedom she felt when she was younger. No longer is she able to do the things that she once was. Which may leave some readers to suspect there is an element of sadness as well as happiness in the grandmothers tone. It may also be a case that Bond is exploring the theme of identity. Though the narrator knows that the girl in the photograph is his grandmother. She never confirms it. As to why she doesnt tell the narrator is difficult to say. Perhaps she might be embarrassed to admit that she was someone who did not conform to her mothers wishes when she was younger or perhaps she simply doesnt wish to tell the narrator of her past. It really is difficult to say as to why the grandmother refuses to admit that the girl in the photograph is her. It is also possible that the grandmother wants the narrator to grow up respecting his elders while she herself as a child may not have necessarily done so. Though this might have taken away the element of freedom that the grandmother felt when she was younger if she was to follow her mothers instructions all the time. When an individual is independent of others it is better to allow them to continue their independence without having them relying on others. There is also a sense that the grandmother when she was younger was the equal of the other children she played with, particularly the boys. This may be significant as it suggests that the narrator was able to stand on her own two feet. To be the equal of others through her confidence. As to whether this confidence remained with the grandmother is also difficult to say as Bond does not really give the reader any insight into the grandmothers present day activities. Apart from the fact that she is knitting a woollen scarf. Though that in itself may be symbolically important as it could suggest that the grandmother is prepared for what lies ahead in life. It is after all coming near to winter when she is knitting the scarf. It is also interesting that the grandmother cannot recall who is behind the wall with their hands in the air as Bond may be symbolically using this image to suggest that at the time the photograph was taken the grandmother was focused on the task at hand. Getting her photograph taken. It is also possible that the grandmother did not wish for her photograph to be taken and just wanted to play and as such stood motionless for as long as the photograph took and continued on with her routine of enjoying herself after the photograph was taken. The fact that the grandmother calls herself wicked is also interesting as there is no reason that the reader is aware of for her to call herself wicked. Unless one considers that she did not follow her mothers instructions. Which might suggest that the grandmother with the passing of time and her advancement towards old age has changed somewhat. She may not necessarily think now as she did when she was a child. This too could be important as it suggests that change is inevitable. Despite being what some might call headstrong in her youth. The grandmother with the passing of time may have become more relaxed. If anything Bond could be highlighting the fact that the grandmother is comfortable with how she lives her life. She enjoyed her youth and on the surface and with the information provided to the reader by Bond appears to be also enjoying old age. Despite considering herself wicked as a child the grandmother is not fazed or disturbed to look at a photograph of her as a young girl. Which may leave some readers to suspect that the grandmother has complete acceptance about her past and present. Cite Post McManus, Dermot. "The Photograph by Ruskin Bond. The Sitting Bee. The Sitting Bee, 18 Oct. 2018. Web.

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To notebook apple tv 1440p usa a fotografia series. To notebook apple tv 1440p usa a fotografia 2017. Noun I always take a lot of photographs when I travel. the old photograph was faded but still clear enough to make out Verb He photographed the women sitting on the bench. She was photographed in the studio. Recent Examples on the Web: Noun In 2012, photographs surfaced showing Trump Jr. holding an elephant tail. — Joshua Bote, USA TODAY. Dream hunt' with Donald Trump Jr. for trophy animals starts bidding at 10, 000. 4 Feb. 2020 The Getty did not begin to collect post-1945 photographs in earnest until 2005. Richard B. Woodward, WSJ, ‘Unseen: 35 Years of Collecting Photographs Review: A Different Perspective. 4 Feb. 2020 The coach identified Harris from a sketch and a photograph sent by SAPD to a North Side police officer at the school. Elizabeth Zavala. San Antonio man convicted in 2017 rape in Medical Center area gets 99 years. 3 Feb. 2020 Eyewitnesses later identified Ahmed as one of the assailants through photographs. Daniel Gonzalez, azcentral, Court records detail Iraq's case against Phoenix man accused of al-Qaida murders. 3 Feb. 2020 Michael Sanchez reportedly gave American Media the texts and photographs for 200, 000. Zachary Halaschak, Washington Examiner, Jeff Bezos sued by brother of girlfriend. 3 Feb. 2020 Bezos and de Becker, who investigated how The Enquirer got its exposé, have not publicly accused Michael Sanchez of leaking photographs to the tabloid. Michael Rothfeld. Jeff Bezos is sued by his girlfriends brother. 2 Feb. 2020 The names and photographs of all the victims of the crash were displayed on the video board before the game and outside Toyota Center throughout the day and evening. Jonathan Feigen, Houston Chronicle, Rockets pay tribute to Kobe Bryant. 31 Jan. 2020 Photographer Terry Martin will lead you on a magical virtual tour with his stories and photographs from his adventures on the Appalachian Trail. Joan Rusek, cleveland, Take your valentine to a swinging Chagrin Falls Studio Orchestra concert: Valley Views. 31 Jan. 2020 Recent Examples on the Web: Verb The Duchess also photographed Yvonne Bernstein with her granddaughter Chloe. Asia Ewart. Kate Middleton Reveals Two Portraits She Created For Holocaust Remembrance Day. 28 Jan. 2020 The duchess photographed Frank with his granddaughters, Maggie and Trixie. Emily Tannenbaum, Glamour, Kate Middleton Just Shared Her Personal Portraits of Holocaust Survivors. 27 Jan. 2020 Spending the evening with Dua Lipa, Bella was photographed wearing a white, fuzzy jacket. Lauren Rearick, Teen Vogue, Bella Hadid Wore Three Major Monochromatic Outfits. 15 Jan. 2020 While the cheapest 2019 Accord hybrid starts at 26, 250—about 3100 less than the 2019 Camry LE hybrid—the photographed here stickered for 35, 920. Eric Stafford, Car and Driver, 2019 Honda Accord Hybrid vs. 2019 Toyota Camry Hybrid: Which Gas-Sipping Family Sedan Is Better. 8 Jan. 2020 Also on Tuesday, O'Neil ordered that only still photography will be allowed during the ethics proceedings and witnesses may not be photographed at all. Lauren Castle, azcentral, Judge will not release Juan Martinez sexual harassment investigation records. 7 Jan. 2020 The troops photographed what was left of other insurgents bodies – but only those visible above the rubble. Brett Murphy, USA Today, Inside the U. S. military raid against its own security guards that left dozens of Afghan children dead. 30 Dec. 2019 Hawaii Department of Land and Natural Resources spokesman Dan Dennison, who has spent years visiting and photographing the area, said winter brings more rain and turbulent seas. Author: Caleb Jones, Anchorage Daily News, Remains of 6 people found after Hawaii sightseeing helicopter crash. 28 Dec. 2019 In northern Thailand, Ms. Sato photographed the farmers and children whose livelihoods and health are undermined by the uncontrolled burning of plastics. Howard Lafranchi, The Christian Science Monitor, Not just Greta: Young people worldwide take charge on climate. 6 Dec. 2019 These example sentences are selected automatically from various online news sources to reflect current usage of the word 'photograph. Views expressed in the examples do not represent the opinion of Merriam-Webster or its editors. Send us feedback.

[to notebook] apple tv 1440p USA A fotografía. PG-13, 106 min Drama, Romance In Theaters Friday February 14 A series of intertwining love stories set in the past and in the present. Production Notes from IMDbPro Status: Completed Videos Photos See all photos More Like This Ordinary Love The Night Clerk Wendy Jean of the Joneses Fantasy Island And Then We Danced The Whistlers Buffaloed Greed Notes from a Young Black Chef Untitled Fairy Tale Project Untitled Fred Hampton Project Did You Know? Box Office Budget: 16, 000, 000 (estimated) Around The Web, Powered by ZergNet.


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"One of Livelys most satisfying novels: cleverly conceived, artfully constructed and executed with high intelligence and sensitivity. — Los Angeles Times "An ingenious premise for a novel and Penelope Lively. spins it out with expert skill. — The Washington Post "Engrossing. engaging. — San Francisco Chronicle "Livelys [novel] maintains the high standard her fans have come to expect. Its another shining winner. — The Boston Globe "Original. bracingly intelligent. Rarely has a subject as elusive as lifes messiness been pursued with such unflagging rigor. — The Atlantic Monthly "In her delicate, spot-on prose, Penelope Lively ruthlessly takes her microscope below the surface of two middle-class marriages and magnifies whatever it is that is left behind when passion is gone, when couples become immune to one another. " — The Times (London) To read Penelope Lively's book is like slipping into the finest cashmere: beautifully wonven, fluid and expensive. Once experienced, it is impossible to enjoy inferior materials. " — The Evening Standard (London. The Photograph is Penelope Lively's 14th novel, but she shows no sign of running out of inventiveness or of failing to write books that are hugely pleasurable to read. This one is deftly edged with humour. "  — Independent on Sunday (UK.
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. To notebook apple tv 1440p usa a fotografia live. Home / Books He studied the picture more closely, finding it curious that the young woman looked so boldly into the camera while wearing a white prayer Kapp shaped like a heart- the characteristic head covering for the Lancaster County Old Order Amish. Why would a devout girl have her picture taken? Read More... To notebook apple tv 1440p usa a fotografia full. To notebook apple tv 1440p usa a fotografia 2.

 

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5bto notebook 5d apple tv 1440p usa a fotografia design. To notebook apple tv 1440p usa a fotografia online. [to notebook] apple tv 1440p USA A fotografías. The Photograph by Penelope Lively 236pp, Viking, 14. 99 Do people exist only within the present? Are we simply as other people perceive us, or are we made up of previous personalities, laid down like rock strata over time? Penelope Lively has grappled with this thought in one way or another in every book she has written. The idea that we are the sum total of everybody we have ever been surfaces in the 1987 Booker prize-winning novel, Moon Tiger. Here the heroine, an ageing historian called Claudia, states: I am composed of a myriad Claudias who spin and mix and part like sparks of sunlight on water. The Claudia-template cropped up again in Lively's 1998 novel, Spiderweb, in which the heroine, Stella, was an ageing anthropologist. She mused on her progress through space and time and saw "different incarnations of herself, different Stellas, ignorant of the significance of the sites she would revisit as someone else. It follows that the present Lively novel is a compound of every Lively novel ever written. Its principal figure is Kath - not one Kath, of course, but a multitude of Kaths who exist "as a continuous effect, some composite being who is everything at once, no longer artificially confined to a specific moment in time. The twist, however, is that in temporal terms, Kath does not exist. As the novel opens, Kath has been dead for several years, and the narrative tease is to keep us wondering why. It is a common Lively ploy to kill off her most charismatic character before the story even begins. But the book that The Photograph most resembles is a novel she wrote 20 years ago called Perfect Happines. In fact it's practically the same book in reverse. In the earlier novel, the grieving heroine, Frances, is astonished to discover that her late husband, a well-known television personality, was once engaged to someone else. In The Photograph, Glyn, a widowed husband and well-known television personality, is shattered to discover that his late wife had an affair with his brother-in-law. In both cases, a photograph provides the conclusive evidence. The emergence of the photographs shakes both characters from their complacency, forcing them to reappraise people they thought they understood intimately. Frances finds "the kaleidoscope twisted, the pattern of the past reassembled, all previous images lost for ever. For Glyn "a stone has been cast into the reliable, immutable pond of the past. Everything has swung and shattered, it is all beyond recovery. One begins to wonder if the dramatis personae of Lively's novels could benefit from the services of a literary dating agency, as Glyn and Frances clearly have an awful lot in common. But the principal dynamic of Lively's novels depends on chaotic mismatches and fragile relationships. True to form, The Photograph is structured around a simple quartet of characters, each of whom has evidently paired off with the wrong choice. In an ideal world, pompous landscape historian Glyn would have married bossy garden designer Elaine, while Elaine's footloose younger sister Kath would be perfect for the equally feckless and fancy-free Nick. In the end, it's the sudden revelation of a 15-year-old fling between Kath and Nick that ruins everybody's peace of mind. The temptation for authors who construct such recognisably enclosed worlds is to settle down and become comfortable in them. Yet to her credit, Lively seems to be growing increasingly ill at ease. The Photograph sets out to cover familiar ground, yet as it gains momentum it becomes astonishingly bleak. Centring on the absence of someone who seems "least likely to be dead" the book is chilled by the baffling capriciousness of death. Lively pits the outrage of dying young against the anguish of growing old. In her previous work, old age has seemed a time of mature reflection. Here she presents characters hurtling towards 60, furious at their inability to slam on the brakes. Elaine, particularly, is a supreme piece of character-drawing in the classic Lively mould - an educated older woman, harassed by her own limitations and irritated by those of others. The discovery of the old affair between her husband and younger sister pitches her from a permanent sense of pique into something approaching desolation, some new age, a time when things would be apparently the same but also rather different. Elaine's thoughts are almost identical to those experienced by Frances in Perfect Happiness: A moment outside time, one of those moments when the needle gets stuck, when what happens goes on happening, the same and yet also subtly different. Lively's fiction may have been stuck in the same groove for the past 20 years, but The Photograph suggests there are some grooves worth sticking with. It is a fine example of a moment outside time - the same, yet subtly different.

To notebook apple tv 1440p usa a fotografia 2016. To notebook apple tv 1440p usa a fotografia review. Asset 5 arrow-down arrow-left arrow-right arrow-up articleAsset 31 Asset 2 Asset 7 Asset 6 Asset 7 Asset 15 Asset 16 cartAsset 51 cart-filledAsset 52 checkAsset 50 Asset 3 chevron-up chevron-left chevron-right chevron-up close double-caret-down double-chevron-downAsset 55 double-chevron-upAsset 56 email-new email-filledAsset 14 Asset 2 fullscreen-close fullscreen-open gallery gallery-filledAsset 15 Globe gridAsset 17 grid-filledAsset 18 headphones-new headphones-filledAsset 19 heart-filled heart-open interactiveAsset 73 linkAsset 48 loadingAsset 45 minus mutedAsset 29 muted-filledAsset 30 ng-border Asset 8 pauseAsset 40 pause-filledAsset 39 Asset 12 Asset 13 playAsset 33 play-filledAsset 32 plus NG_AD_Iconography_111317_JY_v2 Asset 3 replay Asset 11 Asset 10 Asset 4 SearchIcon shareAsset 34 speakerAsset 27 speaker-filledAsset 28 star-filled star-open textAsset 43 text-filledAsset 42 tiltAsset 58 Asset 8 Asset 9 Asset 4 userAsset 53 user-filled video-cameraAsset 35 video-camera-filledAsset 36 volumeAsset 25 volume-filledAsset 26.

To notebook apple tv 1440p usa a fotografias. To notebook apple tv 1440p usa a fotografia video. To notebook apple tv 1440p usa a fotografia pdf. March 18, 2019 11:31AM PT Issa Rae and LaKeith Stanfield will star in Universals “ The Photograph, ” sources tell Variety. Stella Meghie will direct and Will Packer will produce for his eponymous production company. The romantic drama centers on intertwining love stories in the past and present. Universal is very high on the pic after Meghie impressed execs with her original script so much so that they tapped her to direct as well. She is also on board to exec produce. Will Packer Productions James Lopez will produce, while Rae executive produces. Senior vice president of production Sara Scott and creative executive Mika Pryce will oversee production for Universal. Raes film career has taken off following the success of her HBO series “Insecure, ” which she also exec produces. During the shows hiatus, Rae has stayed busy on the movie front with her other Universal comedy, “Little, ” bowing next month and Fox 2000s “The Hate U Give, ” which opened last fall. She recently finished production on the Paramount comedy “The Lovebirds, ” which she also exec produced. She is repped by UTA and 3 Arts Entertainment. Stanfield has also been active both on the big and small screen with his TV series “Atlanta” finishing its second season on FX last year. On the film side, LaKeith appeared in the critically acclaimed “Sorry to Bother You, ” as well as Sonys “The Girl in the Spiders Web. ” He recently finished production on Rian Johnsons “Knives Out, ” the Safdie brothers “Uncut Gems, ” and Netflixs “Someone Great. ” He is repped by CAA and Stark Management. Meghies helmed “Everything, Everything” as well as “The Weekend. ” She is repped by CAA and Del Shaw Moonves. TaleFlick, an online platform that provides writers with a chance to showcase their work to producers and studios, is partnering with HarperCollins Publishers. The collaboration between the companies will allow the publisher to upload thousands of titles across an array of genres, and provide HarperCollins authors the opportunity to have their titles made more accessible. Paramounts family film “Sonic the Hedgehog” is expected to race ahead of its box office competition when it debuts in theaters this weekend. The action adventure, based on the video game character, should collect 40 million to 45 million from 4, 130 venues over the Presidents Day holiday stretch. Those figures would easily be enough to claim. Awkwafina is set to star in “The Baccarat Machine, ” a gambling drama inspired by a Cigar Aficionado article by Michael Kaplan. The film, set up at SK Global, centers on Cheung Yin “Kelly” Sun and her unlikely partnership with poker player Phil Ivey. Sun amassing millions of dollars of winnings by teaming with Ivey and. Michael B. Jordan has joined Christian Bale and Margot Robbie in David O. Russells untitled new film at New Regency. Russell will direct from his own script. Plot details are being kept under wraps. Executive are hoping to start production in the spring. Matthew Budman (“Joy, ” “American Hustle”) is producing. Russell was nominated for directing. Just a few days after the trophy for best original song was given out at the Oscars comes news of the first significant new original song of this movie year. The end-titles theme for the upcoming Pixar film “Onward” has been recorded and co-written by multiple Grammy winner Brandi Carlile, Disney announced Wednesday. Carlile co-wrote. Rick Moranis is leaving his decades-long hiatus from live-action acting to join Disneys sequel to its 1989 blockbuster “Honey, I Shrunk the Kids, ” Variety has confirmed. Moranis will reprise his role as Wayne Szalinski, the crackpot scientist who accidentally shrunk his children (and the neighbors kids) then accidentally made his infant child enormous in 1992s “Honey, I. Whatever you do, dont ask “To All the Boys: P. S. I Still Love You” star Lana Condor if shes Team Peter or Team John Ambrose. “This question keeps me up at night. It does, ” Condor told Variety of the love triangle her character, Lara Jean, finds herself in the sequel to Netflixs teen rom-com “To.

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To notebook apple tv 1440p usa a fotografia 1. YouTube. History of photography, method of recording the image of an object through the action of light, or related radiation, on a light-sensitive material. The word, derived from the Greek photos (“light”) and graphein (“to draw”) was first used in the 1830s. stereoscope Pocket stereoscope with original test image; the instrument is used by the military to examine 3-D aerial photographs. Joaquim Alves Gaspar This article treats the historical and aesthetic aspects of still photography. For a discussion of the technical aspects of the medium, see photography, technology of. For a treatment of motion-picture photography, or cinematography, see motion picture, history of, and motion-picture technology. General considerations As a means of visual communication and expression, photography has distinct aesthetic capabilities. In order to understand them, one must first understand the characteristics of the process itself. One of the most important characteristics is immediacy. Usually, but not necessarily, the image that is recorded is formed by a lens in a camera. Upon exposure to the light forming the image, the sensitive material undergoes changes in its structure, a latent (but reversed) image usually called a negative is formed, and the image becomes visible by development and permanent by fixing with sodium thiosulfate, called “hypo. ” With modern materials, the processing may take place immediately or may be delayed for weeks or months. The essential elements of the image are usually established immediately at the time of exposure. This characteristic is unique to photography and sets it apart from other ways of picture making. The seemingly automatic recording of an image by photography has given the process a sense of authenticity shared by no other picture-making technique. The photograph possesses, in the popular mind, such apparent accuracy that the adage “the camera does not lie” has become an accepted, if erroneous, cliché. Get exclusive access to content from our 1768 First Edition with your subscription. Subscribe today This understanding of photographys supposed objectivity has dominated evaluations of its role in the arts. In the early part of its history, photography was sometimes belittled as a mechanical art because of its dependence on technology. In truth, however, photography is not the automatic process that is implied by the use of a camera. Although the camera usually limits the photographer to depicting existing objects rather than imaginary or interpretive views, the skilled photographer can introduce creativity into the mechanical reproduction process. The image can be modified by different lenses and filters. The type of sensitive material used to record the image is a further control, and the contrast between highlight and shadow can be changed by variations in development. In printing the negative, the photographer has a wide choice in the physical surface of the paper, the tonal contrast, and the image colour. The photographer also may set up a completely artificial scene to photograph. The most important control is, of course, the creative photographers vision. He or she chooses the vantage point and the exact moment of exposure. The photographer perceives the essential qualities of the subject and interprets it according to his or her judgment, taste, and involvement. An effective photograph can disseminate information about humanity and nature, record the visible world, and extend human knowledge and understanding. For all these reasons, photography has aptly been called the most important invention since the printing press. Inventing the medium Antecedents The forerunner of the camera was the camera obscura, a dark chamber or room with a hole (later a lens) in one wall, through which images of objects outside the room were projected on the opposite wall. The principle was probably known to the Chinese and to ancient Greeks such as Aristotle more than 2, 000 years ago. Late in the 16th century, the Italian scientist and writer Giambattista della Porta demonstrated and described in detail the use of a camera obscura with a lens. While artists in subsequent centuries commonly used variations on the camera obscura to create images they could trace, the results from these devices depended on the artists drawing skills, and so scientists continued to search for a method to reproduce images completely mechanically. In 1727 the German professor of anatomy Johann Heinrich Schulze proved that the darkening of silver salts, a phenomenon known since the 16th century and possibly earlier, was caused by light and not heat. He demonstrated the fact by using sunlight to record words on the salts, but he made no attempt to preserve the images permanently. His discovery, in combination with the camera obscura, provided the basic technology necessary for photography. It was not until the early 19th century, however, that photography actually came into being. Early experiments Heliography Nicéphore Niépce, an amateur inventor living near Chalon-sur-Saône, a city 189 miles (304 km) southeast of Paris, was interested in lithography, a process in which drawings are copied or drawn by hand onto lithographic stone and then printed in ink. Not artistically trained, Niépce devised a method by which light could draw the pictures he needed. He oiled an engraving to make it transparent and then placed it on a plate coated with a light-sensitive solution of bitumen of Judea (a type of asphalt) and lavender oil and exposed the setup to sunlight. After a few hours, the solution under the light areas of the engraving hardened, while that under the dark areas remained soft and could be washed away, leaving a permanent, accurate copy of the engraving. Calling the process heliography (“sun drawing”) Niépce succeeded from 1822 onward in copying oiled engravings onto lithographic stone, glass, and zinc and from 1826 onto pewter plates. In 1826/27, using a camera obscura fitted with a pewter plate, Niépce produced the first successful photograph from nature, a view of the courtyard of his country estate, Gras, from an upper window of the house. The exposure time was about eight hours, during which the sun moved from east to west so that it appears to shine on both sides of the building. Niépce produced his most successful copy of an engraving, a portrait of Cardinal dAmboise, in 1826. It was exposed in about three hours, and in February 1827 he had the pewter plate etched to form a printing plate and had two prints pulled. Paper prints were the final aim of Niépces heliographic process, yet all his other attempts, whether made by using a camera or by means of engravings, were underexposed and too weak to be etched. Nevertheless, Niépces discoveries showed the path that others were to follow with more success.

The Photograph by Penelope Lively Open Preview See a Problem? Wed love your help. Let us know whats wrong with this preview of The Photograph by Penelope Lively. Thanks for telling us about the problem. To ask other readers questions about The Photograph, please sign up. Popular Answered Questions This question contains spoilers… (view spoiler) why oh why would Elaine take back Nick? I understand why she was attracted to him years ago, he filled the house with interesting people. But now, he just seems like an infantile boring cheater. (hide spoiler) Sandra This answer contains spoilers… (view spoiler) I think she realized that she was far from perfect; that she had failed her own sister. Both Glyn and Elaine were workaholics and never faced Kath's …more I think she realized that she was far from perfect; that she had failed her own sister. Both Glyn and Elaine were workaholics and never faced Kath's death properly. (less) hide spoiler) 4, 977 ratings 696 reviews Start your review of The Photograph Aug 11, 2014 Melki rated it really liked it Imagine the audacity of an author, writing a book containing not a single likable character. Who would have the nerve, the balls to do that? Penelope Lively, that's who, and her little venture has paid off handsomely in a well-crafted, absorbing book, full of scoundrels and harpies, that makes you pay attention to these people, even as your fingers throb with the desire to throttle them. Glyn discovers a photo of his late wife. She is clasping hands with another man. It is a picture of thinly Imagine the audacity of an author, writing a book containing not a single likable character. It is a picture of thinly disguised lust. The other man is her brother-in-law, Nick. Glyn's first thought (after "Son of a bitch. is to share the misery. The swine runs straight to his dear, dead wife's sister, Elaine, to expose her husband for the lying, cheating bastard he is. This leads to a portentous chain of events and the introduction of even more loathsome characters. And yet, I had trouble putting the book down. I had to know what was going to happen next. How could all these awful people have such a hold on me? These people, so caught up in their own lives that they failed to notice the needs of others; they could not see the loneliness and boredom in the eyes of their supposed loved ones. And then, I, crap! I'm guilty of these crimes. I barely glanced at my husband as he left for work this morning. And what shirt was my son wearing today? Did I even look? Perhaps I should start again. What author would dare to reveal us for the monsters we really are? Thoughtless, uncaring, oblivious. Sep 18, 2017 Katie After his wifes death Glyn finds a photograph of her covertly holding the hand of her sisters husband. What follows is a narrative investigating how fundamentally unknowable everyone is. Glyn confronts his wifes sister with the photograph and all of a sudden various people who thought they had people boxed are compelled to revise their ideas. The four characters of this novel are brilliantly drawn, each one Lively brings vividly to life. And shes so good at writing about relationships. It After his wifes death Glyn finds a photograph of her covertly holding the hand of her sisters husband. It reminded me a little of Rosamund Lehmans The Echoing Grove, also about sister rivalry. Lehmans novel is essentially a beautiful written and cleverly structured romance whereas this goes deeper. However I prefer Lehmans book. This rather fizzled out towards the end. There was a sense that what was proposed as an anarchic event simply caused a storm in a teacup. A solid rather than inspired novel. Moon Tiger remains my favourite of her novels by a long stretch... Id been hoping to read another Lively soon and then I happened to ‘eavesdrop on an online conversation between two writers, one saying she couldnt stop thinking of this novel and the other saying she kept trying to figure out how Lively “did it”, which by that I took to mean its structure. I was intrigued enough to immediately request it from the library. While I do not feel the level of obsession over this novel the two writers felt, I understand it. In fact, obsession is one of its themes— Id been hoping to read another Lively soon and then I happened to ‘eavesdrop on an online conversation between two writers, one saying she couldnt stop thinking of this novel and the other saying she kept trying to figure out how Lively “did it”, which by that I took to mean its structure. In fact, obsession is one of its themes—the understandable, though selfish, compulsion to reorder memories after learning a key piece of knowledge not discovered until years later. Those who should be closest to the hovering, deceased life-force of the novel do not see her for who she is: the most perceptive is not a family member but one who doesnt take her for granted and another we hear from much later. The disparate voices eventually come together in what I keep thinking is a gentle way, though the topic is not a gentle one: perhaps that is due to Livelys prose that seems to understand and encompass all... May 23, 2007 Lisa it was ok Recommends it for: not many While the premise was totally interesting, the implementation of it was NOT. Plot was meandering (not in a good way) characters were almost all unsympathetic, and it was just sort of boring overall. I did read it and finish it, but only because I was on a 13-hour flight and had nothing better to do! Not horrible, but not as entertaining as I'd like a book to be. Sep 04, 2007 Mark Thank you, thank you, Penelope Lively. At a time when I really needed a good writer to tell a good story about real grown-ups dealing with real situations, this novel came along. At the outset, landscape historian Glyn is rummaging around for a paper he needs and finds an old photograph kept by his wife, who had died some years before. In it, she is seen surreptitiously holding hands with his brother-in-law, Nick. This starts him out on a journey to discover what was going on, and more Thank you, thank you, Penelope Lively. This starts him out on a journey to discover what was going on, and more importantly, to find out whether his memory of his wife is deeply flawed. In the process, we meet Nick, a perpetual boy living off his successful landscape designer wife, Elaine. Both are drawn so skillfully by Lively that you can be disgusted with Nick's fecklessness and attracted to him at the same time, and you can admire Elaine's courage and work ethic while still seeing the emotional distance she imposes on others. Floating through it all is enigmatic Kath, Elaine's beautiful sister, who is dead and whose image now has to be reshaped by everyone who knew her. Like so many good novels about the human condition, this is not a story filled with action or plot twists or sudden shocks. it is more like real life, compelling and absorbing and meaningful in quieter and more complicated ways... Sep 29, 2012 Ramona. THIS REVIEW IS FULL OF SPOILERS. The Photograph was one of those books that initially it may appear to be somewhat dull and boring, but what a great read it turned out to be. Penelope does a great character study of Kath and the impact that those around her had on her life. In the process she gives us extensive background & in depth insight into the characters of each of these people. Theres Glyn, the husband; Elaine, the sister; Polly, the niece; Nick, the brother-in-law; Oliver, the. THIS REVIEW IS FULL OF SPOILERS. The Photograph was one of those books that initially it may appear to be somewhat dull and boring, but what a great read it turned out to be. Theres Glyn, the husband; Elaine, the sister; Polly, the niece; Nick, the brother-in-law; Oliver, the photographer; Mary Packard, the elusive friend that we dont know much about until near the end; and a sundry of peripheral people in Kaths life. For much of the novel we are left to speculate as to how Kath dies, but if one reads closely, it is very apparent that she commits suicide (ten years into her marriage. Glyn finds a photograph years after her death of her discreetly holding hands with Nick, her brother-in-law. A note is with it from Nick making her aware of it & asking her to destroy it which she does not. Glyn is in a quandary over this turn of events & being the historical researcher he is, pursues for more information with an obsession. Did Nick & Kath have an affair? How long did it last? Were there others? As Glyn attempts to find answers he stirs up a real can of worms because he confronts all involved (those who knew or didnt know anything about the photograph. Elaine kicks Nick out—he is so dependent on Elaine financially and otherwise that he moves in with his daughter, Polly, which totally disrupts her life. Elaine will not discuss the matter with Polly or Nick. The last person that Glyn finally finds to talk to toward the end of the novel after coming to many dead ends in his pursuit for more information, is Mary Packard, who seems to have been Kaths one & only true friend. Glyn, Elaine & Oliver wind up having a lengthy conversation with Mary learning who the real Kath was. Each of them had been going about their lives & to Kath seemingly constantly inadvertently putting her real needs aside. Keep in mind Kath was a beautiful woman with few aspirations other than to be needed and loved, but no one seemed to realize this. Everyone knew she was beautiful, but didnt try to see the person underneath the beauty. For me this novel emphasizes the importance of “listening” to our loved ones and our friends and expressing our love not just assuming, “oh they know. ” Polly in describing one of her days seems to summarize in a nutshell how many of his go about our lives breezing through our work, exact, but not exactly enough & socializing usefully with our colleagues. This book prompts one to take a look around at the people we know, perhaps the people weve dismissed from our lives that we saw as beautiful, self-centered or callous. Do we really see people we know inside? Do we listen? Do we know each others “real needs? ” If we have something “niggling” at the back of our brain, do we stop to ask ourselves, “are we listening, ” what is our subconscious telling us to pay attention to? Can we change our impact on someones life? The novel takes us through what many might think superfluous information, but at the end one should see that this exploration into the characters everyday lives & their interactions (or lack thereof) with Kath were necessary to see the whole picture & understand the purpose of the book. When thinking about what happened to Kath, Oliver says it so well, “He saw—dimly, inexplicably—that in some disturbing way what had happened was heralded, that there had always been something troubled about Kath, something that set her apart. Behind and beyond her looks, her manner, there had been some dark malaise. But nobody ever saw it, back then, he thought. All you saw was her face. ” Oliver mentions the Latin phrase, “lacrimae rum, ” in the last pages which he considered untranslatable. When I looked it up, there were a few translations, but the one that touched me was by Robert Fagles, “The world is a world of tears, and the burdens of mortality touch the heart. ” Robert Fitzgerald translates it as "They weep here / For how the world goes, and our life that passes Touches their hearts. In the end, all those touched by Kath change in their thoughts & perceptions. Elaine welcomes Nick back home, Polly finds what she thinks might be true love & Glyn continues prodding along with his work and “finds that he has to find a new way of living with Kath, or rather a way of living with a new Kath. And of living without her, in a fresh, sharp deprivation. ”... Mar 31, 2008 Kate did not like it I looked forward with great anticipation to Penelope Lively's The Photograph. I believe it was selected for Today's Book Club, and most reviews have been very favorable. I must admit that I was highly saddened. I rarely discover a book I don't enjoy at least in some aspects, but I must say this one is an exception…I read the first few chapters, then thumbed through the rest, eager to find something that would peek my curiosity, really anything, that might capture my attention, but it in no way I looked forward with great anticipation to Penelope Lively's The Photograph. I rarely discover a book I don't enjoy at least in some aspects, but I must say this one is an exception…I read the first few chapters, then thumbed through the rest, eager to find something that would peek my curiosity, really anything, that might capture my attention, but it in no way happened. The book to me was wearisomely uninteresting, so much so that as short as it is I barely made it through half of the book. I could have cared less about the ending... Walking along the beach one day, my friend Paul told me that he'd saved a young man trying to kill himself there not so long ago. Upon engaging the distraught would be suicider, he discovered that the reason for his unhappiness with the world, or with himself, was his extreme beauty. It prevented normal relations with people, with the world. This is a story of such a person - I imagine it's impossible to understand unless one is in that position. We have no conception, after all, that one could Walking along the beach one day, my friend Paul told me that he'd saved a young man trying to kill himself there not so long ago. We have no conception, after all, that one could be too beautiful. Too ugly maybe, too tall, too intelligent, but never too beautiful. Difficult as it may be to grasp to see the burden of it, to empathise with it, Lively delivers. rest here. Nov 10, 2007 Julie liked it This book won the Booker Prize, so I sort of expected a little more. It was an engaging enough read, but I figured out the great revelation of the book halfway through and then just had to wait to get there. Most of the characters spend the book gradually realizing how self-absorbed they are, which is sort of the message of the book, but I found their self-absorption so annoying that I felt like I couldn't appreciate the lesson. An Archaeology of Regret I enjoyed Lively's recent Consequences so much that I turned to this slightly earlier novel. It is equally absorbing, but I think the greater achievement. While dealing with similar concerns—families, the power of memory—it is more concentrated, darker in tone but richer in its observation of human nature, and ultimately the more satisfying book. Had Lively not already won the Booker Prize with Moon Tiger, it would be easy to see this novel as a strong contender. The An Archaeology of Regret I enjoyed Lively's recent Consequences so much that I turned to this slightly earlier novel. The premise is simple. Glyn Peters, a sixtyish British archaeologist, comes upon a group photograph that includes his late wife, Kath. Details in the photo, and a brief note that he finds with it, suggest that there are aspects of Kath's married life that he didn't know. So, researcher that he is, he makes some enquiries. Consequences ripple outwards from there, affecting a tight group of people who had been connected with Kath. These include: Elaine, her older sister, a successful garden designer; Elaine's husband, Nick, a former publisher, now full of plans that seldom come to fruition; Oliver, Nick's former business partner, now running a desk-top publishing business of his own; and Nick and Elaine's daughter Polly, who had been very close to Kath growing up and is now a web designer. All of them remember Kath as a force of nature, stunningly beautiful, a magnetic presence in any room. Although there is little present-day action in the novel, Kath is very much alive in the memories of those who were close to her. Her incandescence comes through from the very beginning, but as we move through the heart of the novel into its poignant conclusion, we begin to glimpse the real woman behind the brilliant glow, and each of the characters finds something different in the Kath whom they thought they knew. Consider again the various professions: archaeologist, landscape architect, publisher, web designer. As always with Lively, it seems, these are typical concerns for people of this class at this time. But there is more; they are all about manipulating and arranging given data to make a certain pleasing sense. Glyn's speciality is the history of landscape, reconstructing a lost way of life from the line of a hedge or the shape of a field; he is used to the way new discoveries can change old perceptions, and he approaches the study of his late wife in the same way. As a garden designer, Elaine also works with the natural features of a landscape, but builds on them, forming them into a new pattern to fulfill an aesthetic concept; this turns out to have been an acute analogy to her relationship with her younger sister. The other characters, as publishers or designers, are concerned with putting out words or pictures that will attract the eye, make apparent sense, and sell to the public. Lively seems to suggest that we treat our memories in much this way; by trying to wrestle them into patterns, putting them between glossy covers as it were, we may distort the natural shapes that point to more subtle meanings. There is one other significant character in that photograph, Kath's friend Mary Packard. Mary is a potter, a profession that also involves the shaping of raw material into pleasing forms, but in a more basic and instinctive way. The raw material is not landscape but the dirt of which it is made, and the pot grows like a living thing in the potter's hands. It is not surprising that Mary understands things about Kath that even her family has missed. It is her appearance at the end of the story and her ability to listen (for all the others are talkers) that provides the final clues that make us see Kath in a new and gentler light. Writing this review, I had the feeling of some other author hovering over Penelope Lively's novel. I now realize who it is: the Virginia Woolf of To the Lighthouse. Of course The Photograph is by no means as difficult a book to get through, and it breaks little new formal ground. But it is similarly constructed out of a series of interior monologues, unbidden thoughts, and chance reflections. It is written with the assumption that the inner world is every bit as important as the outer one, only richer and more revealing. And Lively shares Woolf's power of making the reader look at his or her own life in ways which will never be quite the same again. A magnificent achievement... Jul 05, 2017 Jennifer After reading a few novels by Penelope Lively I know not to expect a page turning plot. Instead, Lively develops characters and events that seem to come directly from an average life but she shows us a new way of looking at them. In this case, we never really meet Kath but we learn about her from those who should be closest to her - but they also never really know her until long after she is gone. How many people in our own lives do we know and know us deeply? At times I felt like Kath may have After reading a few novels by Penelope Lively I know not to expect a page turning plot. How many people in our own lives do we know and know us deeply? At times I felt like Kath may have been her own worst enemy but then again - are these reliable narrators? And, as in life, is there really a true version of any story or are there only different versions of what each person experienced... Jun 14, 2009 David This book's central McGuffin, the discovery of a decade-old photograph showing that Kate (now dead) had an affair with her sister's husband, didn't seem all that promising to me. But Penelope Lively's exploration of the repercussions of this discovery is brilliantly done - the characters and their reactions ring true, the writing is beautiful. Lively is particularly good at capturing the messiness of people's emotional lives. This book hits on all three cylinders - characters, plot, and writing. This book's central McGuffin, the discovery of a decade-old photograph showing that Kate (now dead) had an affair with her sister's husband, didn't seem all that promising to me. This book hits on all three cylinders - characters, plot, and writing. It's the first novel I've read by Penelope Lively. It definitely won't be the last... May 19, 2019 Orla Hegarty I think this is my first Penelope Lively book. And I am so glad that one of my goodreads friends recently discovered her with this book and gave it a great review - this prompted my request from my library. Ms. Lively was 70 when this book was first published and she has a lengthy award winning list of previous books before that. I look forward to reading more by this master. The story line is quite compelling and all revolves around said Photograph. The photograph contains the image of a now I think this is my first Penelope Lively book. The photograph contains the image of a now deceased woman and her husband accidentally discovers it. The POV shifts constantly and allows a story to unfold about this dead woman (Kath. By the end of the book we have a clearer understanding of Kath and what the passage of time and memories can do to each of our stories. For it is only the stories that remain at the end. whether written, oral or images. I raced through it and only had to use a dictionary about a dozen times so I not only had a very enjoyable couple of long weekend afternoon reading sessions but also learned some new vocab. Win-win... Jan 23, 2008 Diane I like most all books by Penelope Lively. This is a good story, well told with some disturbing things to think about. She explores the way we see and know and don't know those closest to us. It was disturbing to think that perhaps I am also more interested in myself than in the people I love so they are only out of focus pictures rather than real people. Glyn discovers a photograph that indicates that his wife Kath, who died young about 10 years previously, had had an affair with his I like most all books by Penelope Lively. Glyn discovers a photograph that indicates that his wife Kath, who died young about 10 years previously, had had an affair with his brother-in-law. Glyn becomes obsessed with finding out if there were other affairs. He visits anyone he can find that might know about Kath and any possible affair. He is unable to hear what people say about Kath. The people who knew her slightly seem to be more in touch with her than her family - husband, sister, brother-in-law, niece. A nice device; a bit overdone, but Lively writes well and wears well... Penelope Lively's books are always a pleasure to read, and this is a beautifully constructed and moving novel. The emotional centre of the book is Kath, who is now dead. Her husband finds a photograph of her which reveals an affair with her brother-in-law, and the story follows the upheavals of the various protagonists as they are forced to adjust their memories and feelings, discovering that none of them really knew her. Feb 28, 2013 NC Weil it was amazing Penelope Lively is the most precise writer since Henry James. Where he carries the reader to the heart of his observation in a closing spiral of phrases set off by commas, Lively offers carefully-spun details, the particulars of work and relationships. And where James offers a Pointillist view of his subject, those dots of deliberately expressed color coalescing at a distance into an image, Lively weaves in tapestry fashion - these threads, these shadings - from which patterns emerge, become Penelope Lively is the most precise writer since Henry James. And where James offers a Pointillist view of his subject, those dots of deliberately expressed color coalescing at a distance into an image, Lively weaves in tapestry fashion - these threads, these shadings - from which patterns emerge, become vivid; yet, a few more passes of the shuttle subtly change what we see. And when she is finished, Ah. We know she's done, every thread has been incorporated, nothing remains to say, the picture is complete. Lively's novel The Photograph begins straightforwardly enough: Glyn, a landscape historian rummaging through old papers in his closet, discovers an envelope he's never seen. The photo inside is of a group of people: his wife Kath, her sister, her sister's husband, a woman friend and her man friend. And his wife and her brother-in-law are holding hands in an intimate clasp, unseen except by the camera. Kath has been dead some years - how can this revelation make a difference now? And yet, as Glyn confronts those in the photo with its evidence, one person after another finds life shaken from its moorings. This sylph with her vital glow revisits them all, undoing their certainties, reasserting the mystery that surrounded her. Lively uses her found-object catalyst to examine people's relations to work, to family, to friendship, to the entire range of emotions from dissatisfaction and jealousy to the full storm of love. This slight novel, 231 pages, pulls no punches, employs no gimmicks, promises nothing it does not deliver. We are in the hands of a master. There is no bombast, only the struggles and escapes familiar to us all, directed and pointed to illuminate a life. If you appreciate clear simple language which lays bare the hidden heart in all its complexity, you should read this fine book... Aug 27, 2009 Bonnie This book currently has a 3. 12 reading on GR, which usually would make me avoid it like the plague. I actually don't remember how it got onto my TBR list, but I'm incredibly happy I gave it a chance. I could see how people would hate this: there's no plot. Okay, there's obviously a plot, but the point of this book is far and away NOT the plot. All told, the plot is: lively, charismatic Kath is dead and her husband finds a photograph while looking through her papers that shows that she had an This book currently has a 3. All told, the plot is: lively, charismatic Kath is dead and her husband finds a photograph while looking through her papers that shows that she had an affair with her sister's husband. Kath's husband becomes obsessed, trying to figure out when and for how long this affair was, and if Kath had been cheating on him with other men. The discovery of the photograph sends ripples through the lives of those closest to Kath: her husband, her sister, her ex-lover (her sister's husband) even her ex-lover's ex-business partner (who was the one who took the photograph. And as her husband's quest to find out what the photograph really means for the memory of his marriage, all those in Kath's circle start to look deeper into their relationships to Kath and who Kath really was. As the plot description should make obvious, this is a character study. It reminds me of nothing so much as Ian McEwan's Amsterdam. The characters were complex, but not very likeable. I personally love this kind of book. I LOVE character studies. I LOVE glimpsing the souls of characters and understanding what makes them tick. They don't have to be likeable; hell, they're usually more fascinating because of their flaws. I also liked how everyone in the book thought they knew Kath, but never really bothered to get to know her until after she was already dead. Kath: Enigmatic at the beginning, but comes into focus as the others talk about her. She was as unbearably lonely as she was unbearably beautiful. Her sister was cold, her husband was distant and she could never have children. She desperately sought someone to love her, but never could. Glyn (Kaths husband) A driven academic, pedantic to the extreme, not overly emotional, and seemed to view Kath more as a possession as a person. Another addition to his charmed life. Elaine (Kaths sister) Distant, efficient, perfectionist. She was never a doting, adoring older sister. She keeps Kath at arm's length. Part of the problem was that Elaine was never affectionate and one of those people who has problems verbalizing love. She is also naturally impatient with others. Nick (Elaines husband and Kaths ex-lover) A manchild who never grew up—and never had to, since Elaine always took care of him. He is unfocused and keeps dashing off to start things he never has the patience to finish. Hes a dreamer and is incredibly lucky to have such a practical wife, otherwise he would be starving. Hes incredibly charming and has spent most of his life skating along on that. Oliver (Nicks onetime business partner) Like Elaine—practical, sober, organized. Im actually surprised Oliver and Elaine never got together. It seems like they wouldve fit better. So, in conclusion: if you like character studies, you will love this. If you're expecting a plot, then you'll probably want to skip it... Nov 08, 2009 Shannon I picked this book up because it was the right length for my recent flight. I had no expectations and had not read this author previously. Glyn finds a photograph of his dead wife and it changes everything for him. As he slowly investigates the implications of the photo, a picture of his wife gradually develops and grows slowly coming into a more perfect focus. The novel is at once spare in its exploration of the meaning of the life of the central character, Kath, who is the only voice missing I picked this book up because it was the right length for my recent flight. The novel is at once spare in its exploration of the meaning of the life of the central character, Kath, who is the only voice missing from the text. Penelope Lively circles around Kath through the reflections, events, actions, and interactions of other characters significant to her. The novel is circular and spiraling rather than linear, and as it develops a portrait of the missing woman includng how she acted as a screen for others' projections or self-involvement. A thoughtful and engaging book with a delicate touch on relationships, perspective, personal truth, death, and more. I will be on the lookoout for more books by this author... Jan 16, 2008 Marie cuatt no one Recommended to Marie by: Women In Literature facilitator Kind of a mystery. The husband of the deseased finds picture of his wife and a group of family and friends. The wife is holding the hand of her brother-in-law in and intimate way. The photo is taken of the rear of the group (so secretive intimate way) Solving the "crime" all the character defects of the family members and aquaintances hang out all over the place. All the while the lovely, lively and delightful deseased flits in and out of their memories for long episodes (sometime pages) The Kind of a mystery. All the while the lovely, lively and delightful deseased flits in and out of their memories for long episodes (sometime pages) The husband of the deseased is a professor of historical landscapes and the sister a landscape it somewhat interesting to me, Except the info. and descriptions sound very textbook. I think the book is silly, character were not likeable or even really believable to me. I read it because it is the next book on the Women in Literature book club. I am interested to I miss something. Aug 06, 2012 Elisa Santos What a fantástic read from a different kind to which i am acoustumed to. A real psycological - shall i say thriller - because it unveils the mistery of a person that everybody thought they knew well, but after they, they did not know the first thing about her, her fears, her demons and its set in motion by the finding of an old picture, after this person is dead. A real page turner of emotions - highly recomend it! What a fantástic read from a different kind to which i am acoustumed to. A real psycological - shall i say thriller - because it unveils the mistery of a person that everybody thought they knew well, but after they, they did not know the first thing about her, her fears, her demons and it´s set in motion by the finding of an old picture, after this person is dead. A real page turner of emotions - highly recomend it... Feb 14, 2018 Anne Haunting meditation on the inner lives we lead. or wont. Oct 20, 2012 Erica Verrillo This is a book you will either love or hate. I did both. The beginning was so painfully slow that I was often tempted to put it down. And, if I hadn't read Moon Tiger first (a truly brilliant novel) I might have simply given up. But, somewhere around the fourth chapter, the characters pulled me in. The Photograph is, first and foremost, a character study. The protagonist, a beautiful, whimsical creature with the unfortunate name of Kath, is dead. Many years after her death, her husband, Glyn, This is a book you will either love or hate. Many years after her death, her husband, Glyn, finds a photograph that indicates that Kath had been having an affair with her sister's husband. The story revolves around Glyn's obsession with finding out who Kath's lovers have been, but, curiously, not why she has been unfaithful, or even why she died. The fact that nobody among Kath's friends ever contemplated the reasons behind Kath's tragic death is really the point of the book. The people surrounding Kath were too self-absorbed to notice anyone but themselves, and Lively captures the full extent of their blindness with stunning accuracy. Lively's prose is absolutely exquisite. Every word is placed with the skill of a fine craftsman. For this reason alone, I enjoyed reading The Photograph. I did find it a stretch that such a self-absorbed man as Glyn could have managed so keen an obsession, especially in his later years. And, ultimately, the reasons for Kath's death did not ring entirely true. But in spite of these flaws, The Photograph was still a very good read. Highly recommended to those who enjoy introspective psychological studies. Not recommended to those who prefer a gripping plot... Okay, I think Penelope Lively is quite a good writer, based on her reputation and the two books I have read by her. She is British, which makes the surroundings fun and a little different for the reader, and this book is supposed to be, perhaps, her best. I rambled through the early chapters rather impatiently, enjoying the writing but not really interested, until the characters started to react to the main event- the finding of an old photograph that pictures the now-dead Kath, a married woman Okay, I think Penelope Lively is quite a good writer, based on her reputation and the two books I have read by her. I rambled through the early chapters rather impatiently, enjoying the writing but not really interested, until the characters started to react to the main event- the finding of an old photograph that pictures the now-dead Kath, a married woman at the time, having a mildly intimate moment with her own brother-in-law. The various friends and relatives become aware of this and react as people will, with a variety of painful or evasive maneuvers. Kath was the beauty of this group of friends and was always expected to marry well and be happy. Is it a surprise that all may not be as it seemed? The central chapters of the book are very entertaining, as each character deals with the discovery in various ways. The handling of the story is witty, with wry observations of the character and personality of each person involved. To discover that there is no great truth revealed here that hasn't already been revealed a thousand times elsewhere is a disappointment, although the story is still interesting, told as it is about each character in turn as they react to the photo's import (or remember their part in it. The people are like us, self-absorbed, a little mean, indignant, whiny and in one case, wise. I would recommend it to most people I know, but can't shake a feeling that that there should have been more there. It's hard to read over and over that humans are very unattractive creatures... The discovery of an incriminating photograph that indicates that a deceased wife had had an affair with her brother-in-law sets her husband off to find out more about the affair, about his wife in general, and whether she was really unfaithful to him and, if so, was this the only time. The consequences of his actions affect the dead woman's sister and her husband, their daughter, and others as Glyn pursues the truth with the persistence of a dog searching for a lost bone. Lively's prose in this The discovery of an incriminating photograph that indicates that a deceased wife had had an affair with her brother-in-law sets her husband off to find out more about the affair, about his wife in general, and whether she was really unfaithful to him and, if so, was this the only time. Lively's prose in this novel is of her usual brilliance and as the plot goes on the reader follows the husband, Glyn, in his search for the truth. The reader also learns about Kath's relationships with her sister, her brother-in-law, their daughter, Polly, and her friends. Although we know that Kath has died, nothing about her death is revealed until near the end of the book, and I, for one, was not surprised when how she died is revealed. I'd recommend this book to readers who enjoy Lively's characterizations, her ability to conceal the facts and allow readers to discover them as they read through the novel. I am most definitely a fan of Lively's and shall read more of her books... Sep 15, 2013 Valerie A subtle and intricately layered examination of the mystery of one woman's life. You never hear from the woman herself; she only appears in memories of those who knew her. By the end, each memory has captured her so expertly you feel as if she spoke, as if she told you hersef her innermost thoughts and dreams. She appears more real and fully fleshed than those who evoke her. I sat back amazed at the skillful writing and plotting. How did the author take me from not liking her much to feeling like A subtle and intricately layered examination of the mystery of one woman's life. How did the author take me from not liking her much to feeling like I understood her? Lively didn't use the artifice of flashbacks. She weaves each memory in the story as it would occur to one of us- a certain smell or object brings someone to mind, all while the plot moves briskly along. How did she ensure each snippet would add up to a whole? How can these bits of memories give us enough of a back history, motivation, and life purpose for this character? It almost read like a wonderful stage play would feel as you sat in the theater. I will read this again just to observe and admire the writer's craft... Mar 03, 2013 Sherry Beautifully written with an intriguing premise. A husband finds a photo of his deceased wife which he has never seen before. Nothing unusual about the photo until he examines it closer and sees that she's holding hands with her sister's husband. The mystery of this photograph and the emotions it brings forth causes him to investigate further - leading him to his final discovery and the mystery surrounding her death. A spell binding book about secrets and how little we really know about those Beautifully written with an intriguing premise. A spell binding book about secrets and how little we really know about those closest to us... The redeeming quality of this book was that it had excellent character development. But I'm not sure the characters were excellent enough to cover up the fact that basically nothing happened in the whole book. I need at least a little plot to stay interested. I am so glad I have discovered Penelope Lively. In this book she explores relationships and how relationships can so often miss necessary connections; can contain secrecies and opportunities missed in really knowing those around us. And the grief and loss that eventuates. Superbly written. An intriguing beginning, a plausible middle, a disappointing ending. Beautifully written, though. Penelope Lively is the author of many prize-winning novels and short-story collections for both adults and children. She has twice been shortlisted for the Booker Prize: once in 1977 for her first novel, The Road to Lichfield, and again in 1984 for According to Mark. She later won the 1987 Booker Prize for her highly acclaimed novel Moon Tiger. Her other books include Going Back; Judgement Day; Penelope Lively is the author of many prize-winning novels and short-story collections for both adults and children. Her other books include Going Back; Judgement Day; Next to Nature, Art; Perfect Happiness; Passing On; City of the Mind; Cleopatras Sister; Heat Wave; Beyond the Blue Mountains, a collection of short stories; Oleander, Jacaranda, a memoir of her childhood days in Egypt; Spiderweb; her autobiographical work, A House Unlocked; The Photograph; Making It Up; Consequences; Family Album, which was shortlisted for the 2009 Costa Novel Award, and How It All Began. She is a popular writer for children and has won both the Carnegie Medal and the Whitbread Award. She was appointed CBE in the 2001 New Years Honours List, and DBE in 2012. Penelope Lively lives in London. She was married to Jack Lively, who died in 1998... “My understanding of the past has been savagely undermined. ” — 10 likes “A stone has been cast into the reliable immutable pond of the past, and as the ripples subside everything appears different. The reflections are quite other; everything has swung and shattered, it is all beyond recovery” 7 likes More quotes… Welcome back. Just a moment while we sign you in to your Goodreads account.

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4 wins & 4 nominations. See more awards  » Learn more More Like This Short, Horror A young couple, Jamie and Anna move into a house where a terrible murder happened decades before and they soon realize that the spirits in the house have never moved on from the dark energy that holds them in. Director: Jackson Sprau Stars: Maya Grant, Amy Ambrosio, Delphine Menu Drama Romance A series of intertwining love stories set in the past and in the present. Stella Meghie LaKeith Stanfield, Issa Rae, Chelsea Peretti Action Crime Thriller 1 2 3 4 5 6 7 8 9 10 6 / 10 X The Photographer is an elusive serial killer operating in modern-day Moscow. He leaves numbered tiles at the scenes of his crimes, similar to those placed at crime scenes by forensic teams. See full summary  » Waldemar Krzystek Tomasz Kot, Sonia Bohosiewicz, Adam Woronowicz 6. 8 / 10 A struggling street photographer in Mumbai, pressured to marry by his grandmother, convinces a shy stranger to pose as his fiancée. The pair develop a connection that transforms them in ways they could not expect. Ritesh Batra Nawazuddin Siddiqui, Sanya Malhotra, Sachin Khedekar 7. 2 / 10 A man obsessed with voyeur pornography makes a shocking discovery, forcing him onto the trail of an anonymous photographer known by his online username ANORAK. Stephen Fingleton Jessica Pyatt, Stephen Fingleton, Neil Stewart Comedy 5 / 10 A Photographer has a single evening to find ten magical photographs or else he stands to lose everything that is important to him. Jeremy Stein Reg Rogers, Tina Holmes, Anthony Michael Hall A former fighter pilot now working as a radio station traffic reporter witnesses a bank robbery. He chases down the bank robbers and a hostage in his helicopter. William A. Graham David Janssen, Ralph Meeker, Elayne Heilveil 4. 9 / 10 A homicide detective finds himself being stalked by a killer responsible for a series of mob style executions. Jorge Montesi Jorge Montesi, Joseph Patrick Finn, Linda Elder Sport 3. 4 / 10 After his best friend dies in a racing accident, biking star Joe agrees to go back on the wheels for an exhibition in Chile. On a test run with his girlfriend Stephanie, they stumble upon a badly injured man dying from a mysterious virus. That's the start of a very bad day for them as they become the target of relentless killers ready to do anything to keep their secret to go out of the mountains. Patricio Valladares Bryce Draper, Natalie Burn, Luke Massy 6. 5 / 10 Four old school friends reunite to attempt the epic coast to coast walk, across the United Kingdom. As their journey unfolds, this comically incompatible foursome walk full tilt into their mid-life crises. James Rouse Ned Dennehy, Richard Lumsden, Jeremy Swift 7. 3 / 10 Ilias Apostolou, a young furrier who has had a hard time under the dictatorship, leaves Castoria in 1971 to emigrate to France, where he hopes to join a distant relative of his, Gerassimos. See full summary  » Nikos Papatakis Hristos Tsagas, Aris Retsos, Zozo Zarpa Certificate: TV-Y7-FV Animation In a post-apocalyptic and dystopian future, all life has been challenged by oppression and tyranny, as the evil Dr. Robotnik (Jim Cummings) is on the wake of controlling Mobius. Jaleel White, Bradley Pierce, Charlie Adler Edit Storyline Sita is an escort at a karaoke bar who struggles to raise money to send her daughter out of the city to live with her grandmother and settle her debts with her pimp. She moves in with aging photographer Jan and helps him fulfill his last wishes. Written by fabreu Plot Summary Add Synopsis Details Release Date: 21 January 2009 (USA) See more  » Also Known As: O Fotógrafo Company Credits Technical Specs See full technical specs  ».

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5bto notebook 5d apple tv 1440p usa a fotografia reaction. To notebook apple tv 1440p usa a fotografia plus. Critics Consensus No consensus yet. Tomatometer Not Yet Available TOMATOMETER Total Count: N/A 59% Audience Score User Ratings: 86 The Photograph Ratings & Reviews Explanation The Photograph Photos Movie Info A young karaoke bar hostess vows to fulfill the last wishes of the terminally ill photographer who took her in following a harrowing experience in which she was gang raped by a group of drunken customers in The Photograph. Sita is a 25-year-old bar hostess who also moonlights as a prostitute. One day, after Sita is gang raped and beaten by a violent group of customers, kindly Chinese-Indonesian photographer Johan comes to her aid. Though Johan is twice Sita's age, an unlikely bond forms between the pair when the traveling photographer invites the young woman to move in with him. Upon realizing that she is unable to return to her position as a bar hostess, Sita offers to become Johan's personal servant in exchange for room and board. Later, Johan reveals that he has but a few months to live, yet longs to fulfill three lifelong fantasies represented in three photographs: a photo of the sea represents Johan's wish to travel to China by ship, a snapshot of railway tracks represents his longing to travel by train, and a still life of a camera sitting next to a chair represents his deep desire to find a successor before he passes away. When Sita discovers a dark secret from Johan's past, the enraged photographer does his best to drive her away. Weeks later, on his deathbed, Johan realizes that his time has finally come, and summons Sita back to take one final photograph. Rating: NR Genre: Directed By: Written By: In Theaters: Jul 5, 2007 wide Runtime: 94 minutes Studio: Centre National de la Cinématographie Cast Critic Reviews for The Photograph There are no critic reviews yet for The Photograph. Keep checking Rotten Tomatoes for updates! Audience Reviews for The Photograph The Photograph Quotes Movie & TV guides.

 

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